Ricky Gervais wants co-host Awards shows with Charlie Sheen

Ricky gervais has finally agreed to return as Golden Globes host for as long as he Charlie Sheen at his side.

"I will host the Golden Globes once again," wrote on his blog Tuesday. "AAND the Emmys and the Oscars if I can do it with Charlie Sheen. I want to say. "

The format is not traditional. While we would gag and introductions to presenters as normal, the majority of the show would focus on outspoken actor who continued his media blitz on Tuesday.

"After every acceptance speech that would just chat with Charlie, that would just be sitting in an arm chair smoke," wrote Gervais. "He let me just say what is on his mind boggling."

"F---ing amazing."

Gervais has urged the public to help they should see Sheen conducting one of his many interviews.

"He has got a new job," he wrote.

Gervais ripped Charlie Sheen during its infamous appearance Golden Globes from the first moment onstage.

"He's going to be a night of partying and heavy drinking-or, as he calls Charlie Sheen, b & b," the comedian joked at the start of the show. "Wow, so let's get this straight, so what he did was, he picked up a porn star, paid her to dinner with him, introduced him to his ex-wife-like you-went to a hotel, got drunk, naked, trashed the placeWhile she was locked in a closet, and that was a Monday. What he makes new year's Eve? "

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DirecTV CEO wants more transparency in tax talks TV program

NEW YORK-the FCC is scheduled to start the process towards the retransmission consent reform possible in a meeting Thursday, but DirecTV CEO Mike White does not expect radical changes from the governmental agency.

Amid tax showdown between broadcasters and programming heated TV distributors last year, for example a cable operator Cablevision and News Corp/Fox that led to the temporary loss of signal in Cablevision, some families have called for new powers for the FCC in these battles.

The meeting opened Thursday, the FCC will consider a so-called "notice of proposed rulemaking for emissions that will try to comment on possible reforms to the current rules of retransmission.

Speaking at the Morgan Stanley Technology, Media & Telecom Conference in San Francisco on Tuesday, reiterated that the best that the Agency can probably do is to add transparency to the process.

"I'd like to see" cannot take the dark "and arbitration and all those things," said investors. But "virtually speaking" results will be less radical.

"If the FCC wanted to work on something that would be [to] find a way to create more transparency around what the market is," he argued.

White said that there is currently no transparency at all. "There is no price discovery mechanism in this market," he said, which leads to companies looking for any other game. "This is not a free market. Don't kid yourself. "

He did not mention specific proposals to increase transparency.

If White warned against expectations of major changes that would shake up the status of things. "The FCC will make some movement, but frankly I do not expect what are likely to come up with will make no difference in the short run," he said.

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Bob Weinstein really wants you know that ' Apollo 18′ is real

We all saw the found-footage trailer for Apollo 18, the last week crash landed. He taught us to fear that tap our flags and penetrate into our space suits space ghosts. Now, we could have to worry about reason for Bob Weinstein's.

According to his quick quote, he wants EW really, really, really, to think that this movie real found footage from a secret Moon Mission is real-life the tragically ended audience. The money quote: "people inherently know there are secrets of us will be kept." View on WikiLeaks: there are secrets, are the really true in the world. It is not wrong. We shoot everything not, "Weinstein says." "We found it." "Found you baby!"

The question here is, whether this kind of tactics will backfire and damage the film.

A similar situation happened tapes with demonstrations of the Poughkeepsie in the year 2007 back. The horror would have been brutal, but tolerable people believed that you saw a fictional movie, but if the film has been sold purely as a fact that there is a vile exercise in snuff to cast the viewing experience. The film was not all that great from beginning to - although it helped John Erick Dowdle's career, but it was unbearable exclusively due to the marketing. People were not in a bad movie disappointed; They were angry with it.

More recently, when I tried the fourth type of is corrupted to defend, was the resounding answer, that it be earned, spoiled because the filmmaker was explicitly to the audience. Intention is another thing will be discussed, but it seems that outright lies about the fictional character is a fake documentation of audience rattling cages.

This makes sense. This type is patronising and mean-spirited, after all, if it make more money from us snake. Worse, it undercuts Director Gonzalo Lopez-Gallego's work, not to mention, the work of writer Brian Miller and any other person, who worked on the production.

As Apollo 18 is so obvious, clear, undeniably fictional, there are only two rational reasons for Wolf's comments:

He has lost his mind and believes that the film is actually real.He believes we are all idiots.

The third option is that he is a marketer first and not the possible backlash see to deny so fervently in the obviously fictitious nature of the film.

He's right about one thing: people love secret.

But we hate lied to.

What do you think?

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Smith, wants to have his Biblical believe tested as 'Joe'

If someone out there will Smith's wants to see house demolished, his body covered cooking and work challenges his sanity and loosening of his grip as he in his raw skin with broken bits of pottery, the opportunity may be on the horizon.

The Oscar nominated director team of Paul Tamasy and Eric Johnson (the fighter) wrote the screenplay for Joe - a modern re-telling of the job history, you may have learned about in Sunday school during questions why the teacher told you all this terrible, terrible, disgusting things. Tamasy went to Eric Snider and Jeff Bayer film b.s. podcast and talked a little about the film. In his own words "a man is, [], the American dream." He has the beautiful House, white picket fence, great kids, great wife, beautiful cars. God and the devil get together every thousand years to put the lives of people on one, and the fate of the world is at stake. What we all get hit with in a lifetime, this man gets hit with in a week and it is, whether he pick up always still the responsibility of and survive it. It is a comedy film. "At its heart, it is a comedy, but it has obviously one real dramatic core-to it."

While Sony will develop but will Smith a lot of flicks now connected is and no individual plant really means nothing. This would be crazy to be returning for the fourth of July kid, and I'm curious to see what kind of comedic elements of the story can come. If what happens with Joe dilute it could Evan Almighty levels of pointless, but if you have comedy, it could stockdunkel. What would be awesome. Bring to the boil.

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Henry Selick wants to scare your children

The Director of such famous kiddy fare as the nightmare before Christmas, James and the giant peach, and Coraline is his own production studio in San Francisco. Their first project, Shademaker, looks to scare children and is boasting some impressive talent behind the scenes already. A job recruitment post for the production of cartoon BREW dug up says:

"Cinderbiter is a new stop-motion companies, whose Mandat is big, scary movies for young ' us with a small, closely associated crew to see the back of each other." link first production of Henry of Cinderbiter Lou Romano are veteran teammate Eric Leighton and the acclaimed production designer. That's right: Lou Romano! "

Cinderbiter da was renamed Shademaker productions, but the important bit of information in this blurb Lou Romano is clear. He is a production designer of Pixar projects such as cars, has to worked, and Ratatouille. Pixar is probably the most successful film studio today and Selick's movies have dedicated legions of fans (even if 90% of you think that Tim Burton made his films).

A team from Henry Selick , and one of the heads of Pixar is probably a dream team for a variety of animation nerds. This is going to be like the cartoon laugh Olympics cool to make. Only for making children smile you to go, unless you scare you know. Depending on your parenting philosophy, this may be to look forward to. I know if I I try small children had would you freak out with you to stuff like this (between home viewings robbers and the Exorcist).

The partnership could also beyond Romano. Cole double marked with a Disney contact and Selick signed a contract with Pixar in the last year to direct several films for you. Shademaker productions may very well the factory, create those Selick/Pixar movies.

What do you think?

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