Manual of love 3: review

Robert de Niro brings a little more luxury small in the un-charming latest part of a popular franchise.

Director

Giovanni Veronesi

Giovanni Veronesi, Ugo Chiti, Andrea Agnello

Robert de Niro, Monica Bellucci, Carlo Verdone, Riccardo Scamarcio, Michele Placido, Laura Chiatti, Donatella Finocchiaro, Valeria Solarino

Rome - Manual of love 3, pitches Giovanni Veronesi, the third installment in this series, rated stars, not just a who's who of Italian stars, but this time American icon Robert De Niro enters the politically incorrect humor and corny. The most nonsensical result is a film critics love, hate and audience, especially in Italy, love to love.

The first manual was the domestic top earner in 2005 (EUR 14 million), while the second film in third came in the year 2007 (with more than 19 million euros). The third is probably even better make thanks to de Niro, who makes his first foreign Languagefilm for Bernardo of Bertolucci's let Manual 3 is probably from Europe to the States, in contrast to the other two allow. American audiences, who love the increasingly absurd Focke franchise, can enjoy this export operation.

Like the previous films, manual of love 3once at anthology film. Here the three stories are mostly in Rome, broken down by age group, set, and this time even Cupid (Emanuele Propizio, looked like a singer in a boy band) makes one occurs. He is a taxi driver, given their high-tech arrows in flight, especially loveless stories need to be lost. Each segment focuses on a male protagonist; in fact, the whole film serves as eye-candy for men of all ages, what is its wide appeal.

In the first part, "Youth" Roberto (Riccardo Scamarcio) is told he has only two dreams: hotshot lawyer and his true love and fiancée, Sara to marry (Valeria Solarino). The next day, he gets his big break, as his Office sends him to a Tuscan city to remove to make room for a golf course a family of farmers. There he meets sexy young thing, Micol (Laura Chiatti), and perhaps thinks he would not, after all settle. So much for true love.

The romance between Roberto and Micol is clinched when that you once pretended tells him, lined up a Hooker and the whole city to it. If a man asked what breathily you love-making charged, replied, "pay you not to love you." "Making love is free." Micol's anecdote is to show how wild and free you really is, but it is just incredibly demeaning.

Foreign audience see their own rednecks in the broad stereotypes of Toskaner who swear like sailors and look like Hillbillies. But the segment is really about Chiatti in various stages which take off another attraction for male viewers.

In "Maturity," an arrogant newscaster (Carlo Verdone), which is been happily married for 25 years, has an affair with a woman (Donatella Finocchiaro), which is a stalker and ruins of his life. At the end of the story. Actor-Director Verdone, a comedy Demi-God in Italy, provides that few laughs in a segment, the the ' 60s and ' 70s Italian Romps with dark bites reminds. But it's hard to watch Eagles - although Verdone and typically dramatic Finocchiaro imitate during sex because it turns on you - no hope it all ends soon.

"In addition," is the third segment, de Niro play divorced American art professor to find story surprised, even falling in love even as late in life. It helps that the object of his affections is Monica Bellucci, his doorman's (Michele Placido) stripper daughter. Speaking of short lines in sweet, broken Italian, de Niro is more sitting bull as raging bull and the film indicates its most recognizable human character.

Sure it is in the phone, but he keeps his much-touted strip scene worthy. And the sparkle in his eyes is a welcome change from militant pater familias of the Focke films. Bellucci rates better than you in the manual of love 2 Act and Plácido is always fun, as a cranky bastard to observe.

Opens: Friday, Feb. 25 in Italy
Production company: Filmauro (Italy), Babe film (France)
Starring: Robert de Niro, Monica Bellucci, Carlo Verdone, Riccardo Scamarcio, Michele Placido, Laura Chiatti, Donatella Finocchiaro, Valeria Solarino, Emanuele Propizio
Director: Giovanni Veronesi
Director: Giovanni Veronesi, Ugo Chiti, Andrea Agnello
Manufacturer: Aurelio de Laurentiis, Luigi de Laurentiis
Director of photography: Tani Canevari
Production designer: Luca Merlini
Music: Paolo Buonvino
Costumes: Gemma MASCAGNI
Publisher: Patrizio Marone
Enterprise: Wild bunch
No review, 125 minutes

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