Drive angry: film review

There are Hellfire and the hot rods cover and wealth here, but a mindless exploitation entry that terribly awesome would instead marshals, too little style or intentional humor.

February 25 (Summit Entertainment)

Director

Patrick Lussier

Nicolas Cage, amber heard, William Fichtner, Billy Burke, David Morse

NEW YORK midway through turn angry, Nicolas Cage'savenging Escapee from hell brushes of questions with the words, "We have not the time to explain." The writers of this addled explosively 3D Grindhouse feed displayed these, attitude, to share, until you give and in some details of the plot outline. Too bad not keep quiet.

There is something trash like this opening up to Oscar delightfully pervy of high-octane weekend, the most sacred times in Hollywood calendar. His star has so deeply in self-parody screwed, that the prefix "Academy Award winner" on his name only as a potential Ricky Gervais -Pointe seems to be. And it is by Michael De Luca, to demonstrate that it is possible, one of the smartest, most perceptive films of the year, the social network, with one of the stupidest follow the produced.

To be fair, the filmmakers clearly on the joke are also in a mindless way, the that makes Quentin Tarantino and Robert Rodriguez were on side. Any movie that are not said cage, which can send a marauding sequence of redneck Satanists while smoking a cigar, slugging back whisky and load balancing as Pamela Anderson clone on his penis, lack a sense of humor.

Above all, however hunting Director Patrick Lussier and his co-screenwriter Todd Farmer, the team behind my Bloody Valentine 3D, string together smash-up car, hyper violent physical confrontations, flying guts and a dollop of sex and nudity with ridiculous dialogue and only a passing concern for logic. As the 1970s drive-in pulp appears the inspiration to have been much, it is more a triumph of the exploitation-video game aesthetic in a derivative plot that Mad Max with the fast and the furious backups.

Cage's character is John Milton, but this mumbling felon is not a poet. He turns in small town Colorado and the trail of Jonah King (Billy Burke, swapping, Twilight, true blood-style southern Gothic). Nick Caveof old closet to wear a cult leader, King murdered Milton's daughter (he carries around your femur as a dandified floor), kidnapped, your baby and plans to sacrifice the child to the next full moon. Cue ticking clock.

While his daughter, Milton gave up long before either of you to the life he knows, came, what went into hell, "the fire is not the worst - it is the video feed." Is the Anderson Cooper the devil make?

Milton hook up with dirty-mouthed waitress Piper (amber heard). She seems to have a heart, because you Muffins to poor people prior to foot out is to find a busty skank balancing act between her fiancé on their ass grabbing diner head and return home.

Will listen to express the insta-classic line stop: "Ah with mAh pink dildo'm Onna tell ever body what ah you doin caught '." You get to wear hot cutoffs, wield a killer right hook, drive as a demon in your deadbeat friend souped-Up-1969 Dodge Charger, and take some bone crunching beatings while preserving perfect hair and makeup.

Milton and Piper follow King and his entourage of Colorado, Louisiana, tailed by clueless cops and uber-cool underworld of emissary in a sharp suit, which goes from the "accountant" (William Fichtner). By Satan to bring runaway Milton, it is the most droll character of the film in this bundle of cheesy parts and Fichtner more than anyone else on the screen has fun winking to the audience. Cage is the rest of the film in the disappointing seriously mulling and dour mode with this program only in his final scene after the issues.

David Morse is late as an old friend of Milton's, but is used to provide, in particular a few more muscle cars for the hunt and part of Piper's questionable compensation from this punitive adventure be.

What is the audience of it depends on their willingness, brains and taste at the multiplex door to verify. No one looking for non-stop action and carnage will feel expected to be shortchanged. But there is not much style, narrative coherence or really subversive humor, the pounding noise and beat balance equality of violence. Lussier and son co-editor Devin C. Lussier points to score, by in particular the pace, that as soon as the cars.

Cinematographer Brian Pearsonprovides a suitably hellish splendour to the backup locations. But apart from a lot of slo-mo bullet detail, making profits from the 3D technology only routine of the film, unless you die are the dental work by someone to see come you rest.

Opens: February 25 (Summit Entertainment)
Starring: Nicolas Cage, amber heard, William Fichtner, Billy Burke, David Morse, Charlotte Ross, Christa Campbell, Tom Atkins, Katy Mixon, Jack McGee, farmers, Todd
Director: Patrick Lussier
Director: Todd farmer, Patrick Lussier
Production: Michael de Luca, Nu image, in conjunction with Saturn films, Millennium films
Producers: Michael de Luca, René Besson, Adam fields
Executive producers: Boaz Davidson, Joe Gatta, AVI Lerner, Danny Dimbort, Trevor short
Director of photography: Brian Pearson
Production designer: Nathan Amondson
Costume designer: Mary E. McLeod
Music: Michael wall maker
Editor: Patrick Lussier, Devin C. Lussier
Visual effects supervisor: Glenn Neufeld
With R; 104 Minutes

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